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| Implementation and Comparison of Radix-2 and Radix-4 FFT Algorithms | 21 Aug 2005 | Bullshit paper I wrote for the bullshit DSP class I took. The FFT code
is good, though. I went the recursive Cooley-Tukey route, and I think it
turned out just peachy. There's a version included at the end of the paper
and a newer one here: fft.c which precalculates the
twiddle factors for a much needed speedup! Check it out!
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| FU2000 Stereo Audio Amplifier | 09 Oct 1996 | A 20 watt per channel, dual-mono, single ended, class A, DC coupled MOSFET
audio amplifier. I'm designing this as an independent study this term at
WPI. The design process will be entirely documented on this web page.
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| The Media Application Server (MAS)
| 09 Jul 2006 | When people ask me about MAS, I tell them it's "Sound for the X Window
System". Then, I say, "Yeah, network transparent, platform
independent sound. You know how you can run your X applications over
the network? Well, this gives those applications sound support." If
they're still interested, I let 'em have it, "Actually, MAS is
completely format-independent. It doesn't care what kind of data it
handles, it only knows about sequences of timed events on timestamped
data. So you can do video, or any conceivable future time-sensitive
data." This is what I've been doing at Shiman Associates Inc. for the past
3 years.
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| Radio Shack PZM Modifications | 19 Nov 1997 | Schematic and documentation of modifications I've made to the Radio Shack
Pressure Zone Microphone. Cool, cheap stuff.
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| My Resume | 09 Jul 2006 | You need me. You may not even realize it yet. But, believe me. You do.
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| Adult Entertainment - Serious Play | 14 Sep 1998 | Last of three nights at the Vanguard. Crowd out in the street,
shoving and elbowing to catch one phrase of the shit going down
inside. Ives is on his 86th chorus of some free shit Nielsen whipped
up last night. No fucking cheese blintzes and belgian waffles with
margarine here, this is real USDA prime grade stock, kicking and
bleating and bleeding all over the stage. Buchanan is slaughtering it
mercilessly, jesus man! Suddenly, Nielsen is laying down 13/8, is
that it? A voice yells, "What fucking time signature is that?" and I
think Scaramongos is in seven, Buchanan is in GOD KNOWS WHAT. I took
way too much fucking acid for thirteen. I'm subdividing, 4-3-4-2,
4-4-4-1, 3-3-4-3, 2-2-1-3-1-2-2, 3-4-4-2, ... [it gets worse,
trust me]
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| SMSurround - Theatre Audio Controller | Spring, 1995 | Steve writes: "SMSurround
was a combination of custom hardware and software designed to help run
audio cues in a live theatre situation. It supported mix/matrix
automation, MIDI automation, WAV playback automation, CD audio
automation, scripted cues, scalability, and surprisingly a fair amount
of stability. SMSurround was built from a combination of off-the-shelf
hardware (PCs, CD-ROMs, sound cards, outboard MIDI hardware, etc.),
custom hardware (automated mixer/matrix controller), and a lot of
custom software."
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| Tubes vs. Transistors, Is There an Audible Difference? | 14 Sep 1972 | Written by Russell O. Hamm, not me. Amazing clarity.
Engineers and musicians have long debated the question of tube sound
versus transistor sound. Previous attempts to measure this difference
have always assumed linear operation of the test amplifier. This
conventional method of frequency response, distortion and noise
measurement has shown that no significant difference exists. This
paper, however, points out that amplifiers are often severely
overloaded by signal transients (THD 30% ). Under this condition there
is a major difference in the harmonic distortion components of the
amplified signal, with tubes, transistors, and operational amplifiers
separating into distinct groups.
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